Gail Z. Martin on Magic and the Supernatural in VENDETTA

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Gail Z. Martin is the author of Vendetta: A Deadly Curiosities Novel in her urban fantasy series set in Charleston, SC (Dec. 2015, Solaris Books); Shadow and Flame, the fourth and final book in the Ascendant Kingdoms Saga (March 2016, Orbit Books); The Shadowed Path (June 2016, Solaris Books) and Iron and Blood, a new Steampunk series (Solaris Books) co-authored with Larry N. Martin.

She is also author of Ice Forged, Reign of Ash and War of Shadows in The Ascendant Kingdoms Saga, The Chronicles of The Necromancer series (The Summoner, The Blood King, Dark Haven, Dark Lady’s Chosen); The Fallen Kings Cycle (The Sworn, The Dread) and the urban fantasy novel Deadly Curiosities. Gail writes three ebook series: The Jonmarc Vahanian Adventures, The Deadly Curiosities Adventures and The Blaine McFadden Adventures. The Storm and Fury Adventures, steampunk stories set in the Iron & Blood world, are co-authored with Larry N. Martin.

Magic and the Supernatural in Vendetta

by Gail Z. Martin

For a place that calls itself the ‘Holy City’ for the large number of churches, Charleston, South Carolina has a hell of a lot of supernatural activity—and that’s not counting what I invented for my Deadly Curiosities books and short stories.

Charleston is one of the oldest cities in the United States, dating back over 350 years. It’s a beautiful city filled with mansions and graceful architecture, but its prosperity was originally built on rivers of blood. Charleston was one of the main ports for the slave trade from Africa and the Caribbean, so a large percentage of the enslaved individuals brought to the United States came through the city. Many people believe their ghosts remain, crying for justice.

Duels were popular (and legal) in Charleston during the first half of the nineteenth century and continued long after they were outlawed. Many young men died needlessly for honor and ego. Pirates, including the infamous Blackbeard, plied the waters off Charleston Harbor, by turn welcomed and reviled. Their bodies and restless spirits remain. The Old Jail housed pirates, war prisoners, and serial killers as well as the unlucky and the falsely convicted. Gallows once stood next to the jail, which itself was built on an old burying ground. It is known as one of the most haunted spots in a city where ghostly encounters are frequent and haunted houses abound.

Can you see why I fell in love with the city and wanted to set an urban fantasy series there?

In addition to the inherent hauntedness of Charleston, I’ve added a lot of magic and supernatural traditions. Most people connect Voodoo (or Voudon as some practitioners prefer) with New Orleans, but forget that slaveholding families would have moved back and forth between Charleston and New Orleans to visit relatives, or slaves would have been sold between plantations. That makes it reasonable to me that Voodoo practitioners could have been in Charleston, and that their descendants might be there today. Voudon plays a big role in the Deadly Curiosities novels and in a lot of the short stories, and the Loa—powerful spirits—are very active.

Hoodoo is another folk tradition with strong African and Caribbean roots that came with enslaved individuals.

Hoodoo is particularly well-known in the Lowcountry region of South Carolina and is often referred to as ‘putting a root’ on someone. Practitioners are known as ‘root women’ or ‘root workers’. Spells, powders, rituals and potions abound for blessing, cursing, bringing good fortune or warding off evil. You’ll see more of Hoodoo in Vendetta and its companion stories.

Cassidy Kincaide, the series’ main character, is a psychometric, able to read the history and magic of objects by touch. Her abilities are central to the plot, and lead her into a lot of adventure given that she runs Trifles and Folly, an antique and curio shop with a secret mission to get dangerous magical items off the market and out of the wrong hands.

Teag Logan is Cassidy’s assistant store manager, and he’s also adept with Weaver magic, the ability to weave spells into fabric and disparate data elements into information, making him one hell of a hacker. Sorren is the store’s founder and silent partner—and he’s a nearly six hundred year-old vampire who was the best jewel thief in Belgium before he was turned. Sorren has worked with the Alliance for hundreds of years, so Trifles and Folly is just one of his outposts across the world. Sorren’s Dark Gift makes him stronger and faster than mortals, with the ability to heal and an immortal’s long lifespan.

Cursed objects and supernaturally tainted heirlooms play a big role in the world of Vendetta and the Deadly Curiosities novels and stories. In fact, it’s often through a magically malicious object that Cassidy and the others get pulled into dangerous territory, trying to find out who created the object or stop a cataclysm from occurring. The most mundane objects might carry a hint of haunt, or old, insidious evil. That’s one of the things I love about the series—nothing is safe!

I draw on many supernatural and magical traditions in Vendetta, Deadly Curiosities and the related stories. Voudon hougans and mambos, a Cherokee shaman, an unorthodox Episcopalian priest who kicks demon ass, witches, psychic mediums, necromancers, supernatural special-ops fighters, Norse seiors, magic-wielding gunmen and clairvoyants all are part of Cassidy’s world. I love to weave in magic from all of the traditions of the people who settled Charleston as well as elements related to the history of Sorren and the other main characters.

But don’t take my word for it—come explore for yourself! Vendetta, the newest book in the Deadly Curiosities series, debuts December 29!

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[GUEST INTERVIEW] Bradley P. Beaulieu Chats with Megan E. O’Keefe About STEAL THE SKY, and More

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Megan E. O’Keefe was raised amongst journalists, and as soon as she was able joined them by crafting a newsletter which chronicled the daily adventures of the local cat population. She has worked in both arts management and graphic design, and spends her free time tinkering with anything she can get her hands on.

Megan lives in the Bay Area of California and makes soap for a living. It’s only a little like Fight Club. She is a first place winner in the Writers of the Future competition and is represented by JABberwocky Literary Agency.

Bradley P. Beaulieu began writing his first fantasy novel in college, but in the way of these things, it was set aside as life intervened. As time went on, though, Brad realized that his love of writing and telling tales wasn’t going to just slink quietly into the night. The drive to write came back full force in the early 2000s, at which point Brad dedicated himself to the craft, writing several novels and learning under the guidance of writers like Nancy Kress, Joe Haldeman, Tim Powers, Holly Black, Michael Swanwick, Kij Johnson, and many more.

Brad continues to work on his next projects, including The Song of the Shattered Sands, an Arabian Nights epic fantasy, and Tales of the Bryndlholt, a Norse-inspired middle grade series. He also runs the highly successful science fiction and fantasy podcast, Speculate, which can be found at speculatesf.com.


Bradley P. Beaulieu: STEAL THE SKY features Detan, “a wanted conman of noble birth and ignoble tongue.” I’m a sucker for cons and grifters. What first attracted you to this type of character? How does Detan stand out from the crowd?

Megan E. O’Keefe: There’s a certain doggedness associated with rogues that’s always appealed to me. Their tenacity makes it easy to root for them, even when they’re doing things we know they probably shouldn’t. They’re a determined lot, thieves and cons, they’ve got to hustle to earn their daily bread and stay ahead of whatever law might punish them for their schemes. Whether it be a petty thief, an evangelical building a cult of personality, or your average flimflam man, liminal characters are excellent at revealing both a society’s strong suits, and its weaknesses.

In Detan’s case, he’s functioning on the edge of a society he was once deeply a part of. His heritage lies in the nobility of the region, but he’s eschewed his place in the world due to abuses he’s suffered. Despite turning away from the local aristocracy, he’s still acutely aware of how they operate and leverages this knowledge to snake his way into situations he can manipulate to his advantage.

BPB: I’m also a sucker for airships! Put your tall ship geek hat on, please, and tell us about yours. How do they work? How have they affected the trade and politics of your world?

MEO: Hooray for airships! I fell in love with them the first time I “got” one playing Final Fantasy VII and knew I’d have to create my own story with them someday.

The vast majority of the Valathean air fleet is split between two purposes: trade and war. Some smaller vessels, round about the size of river barges, are used as personal conveyances, but the big ships are primarily relegated to greasing the gears of Valathean trade – and defending the empire’s interests when necessary.

The ships themselves are variations on cargo-carrying seaships. Primarily flat-decked and rectangular, the ships are lifted by the use of buoyancy sacks filled with the Scorched Continent’s most valuable resource: the lighter than air gas, selium. Though they have sails, steering is primarily done with a system of hand-cranked propellers in concert with flight surfaces functioning as ailerons and elevators that extend from the larger ships’ stabilizing wings and empennage. Propulsion is accomplished either by catching the intense native winds in their sails (selium’s presence in the atmosphere causes stronger gusts than you’d find on good ole’ Earth), setting and winding up the propellers as one would a watch, or in emergencies a sel-sensitive can forcefully evacuate selium through venting built into the buoyancy sacks for that purpose.

All the airships are suspended beneath their buoyancy sacks, save one: the Larkspur, the object of my wily conman’s machinations. The Larkspur was commissioned by a very wealthy woman for the purpose of impressing the locals she’s hoping will accept her as their new Warden (a type of governor in-world). The Larkspur bucks convention by hiding its buoyancy sacks in the belly of the ship. This, of course, makes it unstable, and as such the ship requires larger stabilizing wings than the others of the land, and also limits the cargo space. But the speed it gains in increased aerodynamic performance and the sheer aesthetics of it more than make up for finicky flight characteristics.

BPB: The city of Aransa looks to be on the brink of some major changes, due in no small part to Detan and his shenanigans. I’m always curious to know how a region reaches the point where it’s become a tinder box, ready to explode. Without getting too spoilery, how did Aransa reach this point?

MEO: The Scorched continent hasn’t been a particularly stable place since the Valathean empire dropped anchor on its shores, and the city of Aransa is no exception. As outposts go, Aransa is relatively wealthy due to its high-producing selium mine, but it has always been a superstitious city. So, when the city’s Warden turns up dead – and the rumor is he was killed by a doppel, a magic user of local nightmares – the locals hit a boiling point. They may have access to wealth, but any miner knows how fleeting that can be. They crave stability – even if that means electing an exiled commodore of the empire to be their leader.

BPB: What’s your proudest accomplishment in STEAL THE SKY? And I don’t mean here in the real world. I mean in book: what’s the thing you really geek out over when you think back on it?

MEO: I tend to really geek out about worldbuilding, and have an abiding love of geology, so it’s gotta be that. The really deep worldbuilding that doesn’t quite make it on the page, the bulk of the iceberg lurking beneath the tip the reader sees. The actual bones of the world are all worked out, right down to what the planet’s core is made of, where it stands in its solar system – hell, I even know how the little ball of a planet that houses the Scorched Continent is protected from solarwinds stripping its atmosphere.

Figuring out how to get the crustal plates of my planet to move around in just the right way to to create a continent a little smaller than Australia, but riddled with volcanoes? I had a blast doing that. And I haven’t even begun to nerd out about the world’s second “moon,” and how it helps bring about the monsoon season.

BPB: Reaching the point of publishing your first novel is always a unique, interesting journey. Looking back over your budding career, what were some of the main turning points for you, times where you took major leaps forward or had major inspirations that led to advancements in either your writing or your writing career (which aren’t exactly the same thing)?

MEO: My first short story sale was my Writers of the Future winning story, “Another Range of Mountains.” Up until that point, I had been telling stories via role playing games for years, but I’d just begun to really think about telling complete stories rather than “playing” characters. Needless to say, I was still pretty new to writer-land when I went to Hollywood for the workshop that accompanies the award, and that experience was a huge leap forward for both my craft and my professional outlook.

From a career standpoint, it was the first time I realized that this whole writing gig might not just be a pipe dream. From a craft standpoint, I essentially had my head cracked open and the combined knowledge of all the instructors dumped right in. It was a lot to digest all at once – in many ways I’m still processing it all.

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THE HOUSE OF DANIEL by Harry Turtledove Mixes Alternate History, Fantasy and Baseball

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Coming in April 2016 is an alternate history fantasy from Harry Turtledove: The House of Daniel.

Here’s what it’s about:

A picaresque tale of minor league baseball–in an alternate Great Depression America full of wild magic

Since the Big Bubble popped in 1929, life in the United States hasn’t been the same. Hotshot wizards will tell you nothing’s really changed, but then again, hotshot wizards aren’t looking for honest work in Enid, Oklahoma. No paying jobs at the mill, because zombies will work for nothing. The diner on Main Street is seeing hard times as well, because a lot fewer folks can afford to fly carpets in from miles away.

Jack Spivey’s just another down-and-out trying to stay alive, doing a little of this and a little of that. Sometimes that means making a few bucks playing ball with the Enid Eagles, against teams from as many as two counties away. And somethimes it means roughing up rival thugs for Big Stu, the guy who calls the shots in Enid.

But one day Jack knocks on the door of the person he’s supposed to “deal with”–and realizes that he’s not going to do any such thing to the young lady who answers. This means he needs to get out of the reach of Big Stu, who didn’t get to where he is by letting defiance go unpunished.

Then the House of Daniel comes to town–a brash band of barnstormers who’ll take on any team, and whose antics never fail to entertain. Against the odds Jack secures a berth with them. Now they’re off to tour an America that’s as shot through with magic as it is dead broke. Jack will never be the same–nor will baseball.

Book info as per Amazon US [Also available via Amazon UK]:

  • Hardcover: 336 pages
  • Publisher: Tor Books (April 19, 2016)
  • ISBN-10: 0765380005
  • ISBN-13: 978-0765380005

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SHORT FILM: “Glimpse” – What Would You Do If You Could Take A Picture of the Future?

Daily Science Fiction’s Roster of Stories for January 2016

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Daily Science Fiction has announced its January line-up of free stories.

  • January 1: “Ghost Night” by Dani Atkinson
  • January 4: “Once More with Feeling” by Austin DeMarco
  • January 5: “A Simple Greeting” by Caw Miller
  • January 6: “Osiana” [Tales of the Rose Knights] by Jay Lake and Ruth Nestvold
  • January 7: “Ghost of the Ashwydds” by Filip Wiltgren
  • January 8: “Insanity Drive” by Melanie Rees
  • January 11: “Escaping Reality” by G. O. Clark
  • January 12: “Dreamscapers Inc.” by Jon Rollins
  • January 13: “A Whisper of Feathers” by Runa Chatterjee
  • January 14: “Spiralize Me!” by Nicky Drayden
  • January 15: “Last Call” by K.C. Ball
  • January 18: “Six Tips to Slay a Unicorn” by Sarina Dorie
  • January 19: “The Lies” by James Van Pelt
  • January 20: “Green Ice” [Tales of the Rose Knights] by Jay Lake and Ruth Nestvold
  • January 21: “Reading Beauty” by Abigail Ashing
  • January 22: “Flight” by Michael T. Brooks
  • January 25: “Expensive” by Jessica Snell
  • January 26: “A Sonorous Expiration” by Kat Otis
  • January 27: “Being Yellow” by Jacqueline Lee Bridges
  • January 28: “The Shutdown” by Marge Simon
  • January 29: “Tin & Mercury, Gilt & Glass” by Lane Robins

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[SF/F/H Link Post] A.I. Anxiety; Star Wars Passes $1 Billion Mark at Box Office; Steampunk 101

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Interviews & Profiles

News

Events & Event News

  • Writer/artist Shane Davis (Superman: Earth One) appears at Third Eye Comics in Annapolis, MD on Saturday, January 16, 2016 from 11:00 AM till 1:00 PM to celebrate the launch of AXCEND! RSVP on Facebook
  • Writer Gregg Hurwitz (The Dark Knight, Moon Knight) appears at Barnes & Noble in San Jose, CA on Wednesday January 20, 2016 at 7:00 PM to sign his new thriller Orphan X!

Crowd Funding

  • Mechcraft – A teen with a dark secret in his DNA. Fringe Nanotechnology unleashed. Shadow government factions. A sinister enemy. And the struggle for a godlike power. The Matrix meets Harry Potter in this fast-paced sci-fi thriller.
  • Time Fragility (Time Riven Series: Volume 2) – I want to publish the second book in the Time Riven series. In Volume 2, Daniel Macon races to stop a time-based attack.
  • The Zarien Syndrome – A sci-fi novel – A science-fiction novel. Travel to a world beyond the four elements of life.

Articles

Art

More Fun Stuff

Want More? See SF Signal’s Twitter, Facebook, and Google+ pages for additional tidbits not posted here!

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[SPOILERS!] Questions, Plot Holes and Weirdness in THE FORCE AWAKENS

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I’ve just seen Star Wars The Force Awakens for the second time, adding my $15 to the $1 Billion the movie has made so far (as of this writing). I enjoyed the movie quite a bit, and as you read through this post, I don’t want you to think that I didn’t. First time, I went with my family, who also enjoyed the movie. But they’re not as invested in it as I am, or, I assume, as you are. My second viewing was with another fan. She has been into Star Wars for the long haul, too. Her immediate impression was interesting, and over burgers, we continued to discuss the movie which prompted me to write this post today.

WARNING! SPOILERS AHEAD! If you haven’t seen the movie yet, but plan to, please bookmark this post for later

Got it?

Good.

Here we go.


StarWarsTFA-01

“It was Star Wars (A New Hope), scene for scene, but everything was just easier. Every character was a ‘Mary Sue’.”

Yes and no. The similarities are, in my opinion, undeniable, but I don’t think they did a scene for scene reboot. The movie did remind me of Star Trek Into Darkness (imagine that) in that it had the flavor of familiar territory, a story we already knew. The trailers kept calling it ‘Star Wars for a new generation’, and I think that’s apt.

Yes, there’s a lot of the same stuff/plot points. Seeking out an ‘old friend and ally’ on a desert planet (Max Von Sydow – and who was he supposed to be?). Orphan on a desert planet (seems like there’s a lot of desert planets out there?) who just happens to be strong (or stronger? Strongest?) with the Force and doesn’t know it (yet) and who just happens to have been hidden/left on the desert planet. A Resistance (funded by the legitimate government (The Republic)? Or, is the First Order the legitimate government?) fighting against… Um… Unsure on this part? I think, maybe, the galaxy is split? Some of it is under the Republic, some the First Order? It’s not really made clear, and that’s an issue. Also, why is it ‘The First Order’ and not just The Empire? Why the name change?  A lot of questions and plot holes there that aren’t ever really answered. You have ‘the stolen data’ – in the original, it’s the plans for the Death Star, in this one, a map to Luke Skywalker. Both are placed in a droid for safe-keeping, both movies feature that droid moving through the desert and ultimately captured by scavengers. Jakku’s settlement is sparse compared to Mos Eisley, but you have the same escape of the Falcon during a Stormtrooper attack as seen in the first movie. Include sneaking around inside the Imperial (okay, First Order) base, the exploitable flaw/weakness in the super weapon’s design, and the snub-fighter attack, and I can see where someone might think it was a scene for scene reboot of the original movie.

As for everything being easier for every character, well, yeah – it felt like it was a lot easier. Rey speaks droid and Wookie and a host of other languages. Who taught her? The flashback shows her being left with someone (Plutt, by the sound of the voice?) and then later is on her own, so, who raised her? Taught her to fight, to survive?  Finn breaks his conditioning (mind control?) the first time he is sent into battle? Begging the question, how much conditioning is done? The suggestion is, quite a bit, so how does he break it so suddenly? Poe ejects Finn from the Tie Fighter but rides the ship down as it crashes and escapes without leaving any sign of his escape on the desert floor where every step Finn takes leaves a deep foot print? Han and Chewie locate and capture the Falcon minutes after Rey and Finn escape Jakku and start repairs?

Yeah – a lot of easy there, and that’s just the first part of the film.

StarWarsTFA-03

“It was the Harrison Ford movie.”

Yeah… I kinda think that was totally on purpose. Of the three original stars, Harrison Ford became ‘the star’ thanks to Raiders of the Lost Ark and a slew of other films throughout the 80’s and 90’s. Fisher and Hamill never really saw the same on-screen success he did, though they both had successful careers in other ways. So it doesn’t surprise me that Ford would have such a large role in this film.

Having attempted to avoid as many spoilers as I could prior to seeing the movie, I’ve no idea if Han’s fate in the movie was a pre-condition to Ford’s involvement. His desire to have Han Solo die in The Empire Strike’s Back has been exhaustively documented, though. With that in mind, it wouldn’t surprise me at all if he had Han’s death written into his contract.

“Starkiller Base made no sense.”

On several points, I agree. Starkiller Base sucks down the power of a star to charge it’s weapon. Ok. How many charges does a single star provide? We see Starkiller Base in orbit around a star (hence the light, the atmosphere, plant life). Based on what we see of the planet itself, it’s a cold, snowy world (so, we have several desert planets (Tatooine and Jakku) and ice planets (Hoth and Starkiller Base) in this galaxy?). At this point in the movie, it’s already fully charged? Is that why it’s so cold? Have they already pulled half the star’s mass/energy to power the weapon? If so, that could mean the world was once lush and green, but the reduction in the mass of the local star has made it much, much colder.

I can buy that.

However, I’m not a scientist, nor do I play one on TV – but, if that’s the case, what does losing 50% of it’s mass (based on how the ‘next’ charge of the weapon effectively sucks down the entire star) do to a star? Would it begin to collapse?

Which brings me to – all the Republic planets (or the government planets? or…um…?) are close enough to each other, and to Starkiller Base, and Maz Kanata’s world, to be seen by the naked eye through the atmosphere of each planet.

Wut.

So – the First Order built Starkiller Base in plain sight of the Republic and the Resistance?

And, no one did anything about it?

This implies they’re all within the same star system, or their star systems are dangerously close to one another.

Again, not a scientist here, but, I can’t look up into the sky and see planets in other star systems. I can see stars. This feels wrong to me.

Should we just let it go because, Star Wars?

StarWarsTFA-02

“Poe trusted Finn way to quickly.”

Poe’s trust of Finn implies the Resistance (and by extension, the Republic) has no knowledge of the conditioning/brain washing used by the First Order on their Stormtroopers. Why else trust one so blindly?

Finn says something at one point along the lines of, “Like so many others, I was taken from my home as a child.” and then trained to be a soldier. He makes it sound like a known thing, a given – this is how the First Order operates – conscription.

Why trust someone in that situation? Especially given Flinn’s comments and fears later about ‘First Order spies and sympathizers’?

In addition, once Poe escapes – he doesn’t search for BB-8? He runs home to the Resistance. Given how easy it was for Finn to both find the (lone?) settlement in the desert, and BB-8, I’m surprised Poe didn’t as well.

Which begs the question – where did Poe go after the crash? Another settlement? Another spaceport? He had to get off the planet and back to the Resistance somehow. Given how Finn found the very settlement/spaceport where Rey and BB-8 were, it makes me think that was the closest place, suggesting Poe got there first and left without even looking for his droid or completing his mission?

Weird.

Another Death Star?”

Yeah. About that. Reminds me of Heroes. Every season had the same threat – the end of the world. Even the reboot.

“We’re going to build a Death Star, this massive space station capable of destroying an entire planet. It’ll have this massive power source and be completely mobile.”

“Ok!”

* * *

“Um. They blew up the Death Star.”

“Are you shitting me? How?”

“Chain reaction via an exhaust port.”

“Shit.”

“…and the Emperor wants another one.”

“Oh, FFS! Fine. We’ll build another one. But we’re shielding that exhaust port!”

* * *

“They blew up the new Death Star.”

“Are you freaking kidding me? How?”

“Flew into the superstructure and took out the power regulator and the main reactor.”

*facedesk*

“Gets worse. The Emperor was ON it at the time. He’s toast.”

“Oh, boy. Great. Just great.”

* * *

“Hey! Let’s build another one! But this time, no internal power. We’re gonna suck down a star!”

“…”

StarWarsTFA-banner

“How did every First Order Stormtrooper recognize Finn?”

Interesting question. Phasma (a complete throwaway character, which is sad for the actress, imho) indicates that Stormtroopers must have permission to remove their helmets. Goes to the conditioning/brain washing aspect of the First Order. If no one takes off their helmets, everyone is the same, anonymous. Yet Finn is recognized without his.

Not sure what that’s about, and it’s certainly not explained within the film.

“Safety is not a concern with Imperial construction and design.”

Or, in my own words, there’s no such thing as OSHA in space. OSHA, or the Occupational Safety and Health Administration, is (in America) the folks responsible for making sure we have safe working conditions in the workplace. Some of it is silly, some is common sense stuff – but whatever, they try to make things safe.

The Empire, and now the First Order, build things like walkways over seemingly bottomless chasms without hand or guard rails. I know this is a silly thing to notice or be bothered by, I do.

But it seems that whoever built these things took notes from the mines of Moria…

“Rey is Han Solo’s daughter.”

Why?

“Isn’t it obvious? She has to be the daughter of Han and Leia.”

Why?

“She flies the Falcon on instinct. She immediately connects with Han as a ‘father-figure’. She has the Skywalker Force-strength.”

Okay, then, why don’t Han or Leia recognize her?

“Maybe she was taken from them at birth and they were told she died. Maybe she and Ren are twins like Luke and Leia.”

Then, why take her and not him, too?

“I don’t know, but the lightsaber reacts to her, to Skywalker blood.”

Don’t get me started on that lightsaber. Wasn’t it lost in Cloud City? When will the new novel about the Ugnaught who finds it (attached to a decomposing hand) and sells it come out? And couldn’t her ‘Skywalker blood’ mean she’s Luke’s daughter?

“I don’t think Luke has sex or is interested in it as a Jedi. I remember reading that Han and Leia had twins, though.”

In the canon that got thrown out and relegated to fan fiction status, yes. It no longer counts.

“..that’s stupid and confusing.”

Tell me about it.

StarWarsTFA-feature

“Where did Snoke come from if he’s Sith?”

This is one of those confusing plot holes consistent with all the movies, imho. Yoda says in the first prequel, “Always two there are, no more, no less. A master and an apprentice.” Yet, at that point, you had Palpatine as the Sith Master, Dooku as his former student, and Darth Maul as his current/recently deceased (though not really according to Clone Wars) apprentice, which makes three.

I believe the implication is there are only two Dark Side users who can call themselves Sith at any one point (which is silly, of course). Luke can use the Force in the first couple movies, but he’s not Jedi. Jedi is a title, something that comes through training and dedication. Sith could be something similar in that you could have people using the Dark Side of the Force, who aren’t counted as Sith.

Snoke could be one such being and, when the Emperor and his apprentice, Vader, die, Snoke takes up the mantle of Sith Lord, seeking out an apprentice.

There’s also the mention of the ‘Knights of Ren’ in the movie, of which Kylo is the leader. This implies there are other Dark Side users (and we even get a glimpse of them in Rey’s flashback/vision quest).

“There was a lot of humor in it.”

Yes. And I’m okay with that.

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Greg Van Eekhout’s DRAGON COAST is an Inventive Conclusion to the Daniel Blackland Series

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REVIEW SUMMARY: An inventive climax and conclusion to the Daniel Blackland (Osteomancer) Trilogy

MY RATING:

BRIEF SYNOPSIS: Daniel sets up his most improbable heist yet, as he plans to impersonate his half brother, possible heir to the Kingdom of Northern California

MY REVIEW:
PROS: Even more stuffed with worldbuilding and intriguing concepts
CONS: Narrative is a bit too brisk, would have preferred a more detailed and slower exploration of the vistas and characters.
BOTTOM LINE: An entertaining finale to the Daniel Blackland trilogy.

Daniel Blackland, the most powerful Osteomancer, has a problem. Or at least, a new, bigger problem. His adoptive son, the clone of the now dead Hierarch of Los Angeles, is trapped inside the body of a superweapon, a reconstituted dragon. Daniel has a plan for yet another heist and crazy plan to get Sam out and stop the dragon’s rampage, but it won’t require him sneaking into the Hierarch’s vault, or into a secret compound and lab. This time, Daniel has to impersonate the powerful North Californian magician he killed at that lab: his own half brother, Paul.

The Daniel Blackland novels feature heist plotting, a set of interesting characters, an intriguing magic system and a world that isn’t quite ours but is close enough for government work, and Dragon Coast lives up to the tradition of its predecessors, California Bones and Pacific Fire. Jumping off not long after the cataclysmic events at the end of Pacific Fire, Daniel’s quest to undo the mistakes at the end of that book make this a crackerjack  plot that, of course, never goes quite as planned.

The Northern Californian setting for most of this book’s action was a good choice, since it gives that author a different venue for Daniel and his friends. Unlike California Bones, where the reader was led by the characters into understanding their world, neither the characters or the readers are in on the cutthroat politics and the rules are different. This provides for some sharp turns of plot and character as Daniel’s impersonation of Paul is nowhere as easy as he thinks it is–and he has no illusions that this is going to be a cakewalk.

As much as I liked seeing Paul, and unexpectedly Sam, and the rest of the characters held over from the first two novels, it is the new characters in Northern California, under the leadership of Daniel’s mother, that really took center stage for me. It’s a realm both the same and distinctly from Southern California, and seeing Daniel and his crew navigate that realm, and its differences, are some of the best parts of the book. We don’t get a POV from any of the Northern Californians, and I wish we had, if only to provide yet a different angle and perspective.

That, however, is a minor concern. My only real issue with the book, and its of a piece with the previous two novels, is that the novels are a bit too brisk. I really noticed in Dragon Coast that I was left hungry for more: of the characters, of the vistas, and the world. I think the book could have, without ruining the snare drum roll of a pace, been a bit longer, answering even more questions and fleshing out the narrative.

Overall, this series as a whole is inventive, entertaining, and fun, and I wouldn’t hesitate to recommend to any and all fantasy fans.

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Table of Contents: A NATURAL HISTORY OF HELL by Jeffrey Ford

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Small Beer Press has posted the table of contents for their upcoming Jeffrey Ford collection A Natural History of Hell.

Here’s the book description:

Emily Dickinson takes a carriage ride with Death. A couple are invited over to a neighbor’s daughter’s exorcism. A country witch with a sea-captain’s head in a glass globe intercedes on behalf of abused and abandoned children. In July of 1915, in Hardin County, Ohio, a boy sees ghosts. Explore contemporary natural history in a baker’s dozen of exhilarating visions.

Here’s the table of contents…

  1. “The Blameless”
  2. “Word Doll”
  3. “The Angel Seems”
  4. “Mount Chary Galore”
  5. “A Natural History of Autumn”
  6. “The Fairy Enterprise”
  7. “The Thyme Fiend”
  8. “The Last Triangle”
  9. “Hibbler’s Minions”
  10. “Rocket Ship to Hell”
  11. “The Prelate’s Commission”
  12. “A Terror”
  13. “Blood Drive”

Book info as per Amazon US:

  • Paperback: 256 pages
  • Publisher: Small Beer Press (July 12, 2016)
  • ISBN-10: 1618731181
  • ISBN-13: 978-1618731180

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Books Received: December 28, 2015 (Foz Meadows, Emma Newman, Alastair Reynolds, Amber Benson, Thomas

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WeGetBooks

 

In the interest of full disclosure (and as seen on Twitter), here are the books we received this week.

  1. Coral Bones (Monstrous Little Voices Book 1) by Foz Meadows (Abaddon Books)
  2. The Course of True Love (Monstrous Little Voices Book 2) by Kate Heartfield (Abaddon Books)
  1. The Unkindest Cut (Monstrous Little Voices Book 3) by Emma Newman (Abaddon Books)
  2. Even in the Cannon’s Mouth (Monstrous Little Voices Book 4) by Adrian Tchaikovsky (Abaddon Books)
  1. On the Twelfth Night (Monstrous Little Voices Book 5) by Jonathan Barnes (Abaddon Books)
  2. Poseidon’s Wake (Poseidon’s Children) by Alastair Reynolds (Ace)
  1. The Last Dream Keeper: An Echo Park Coven Novel by Amber Benson (Ace)
  2. Touching the Face of the Cosmos: On the Intersection of Space Travel and Religion by Paul Levinson and Michael Waltemathe (Connected Editions)
  1. TFF-X: Ten years of The Future Fire: A speculative fiction anthology by Djibril al-Ayad, Cécile Matthey Matthey, Valeria Vitale (Editors) (Futurefire.net Publishing)
  2. In Constant Fear by Peter Liney (Jo Fletcher Books)
  1. Ascendance (Star Trek: Deep Space Nine) by David R. George III (Pocket Books/Star Trek)
  2. Dark Run by Mike Brooks (Saga Press)
  1. The Girl with Ghost Eyes by M. H. Boroson (Talos)
  2. HEX by Thomas Olde Heuvelt (Tor Books)
  1. Steeplejack (Alternative Detective) by A. J. Hartley (Tor Teen)
  2. Flying by Carrie Jones (Tor Teen)
  1. Nightstruck by Jenna Black (Tor Teen)
  2. Truthwitch: A Witchlands Novel by Susan Dennard (Tor Teen)

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